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| Re: Drum Miking - RE20 + SM57 + ??? [message #333178 is a reply to message #332571 ] |
Sun, 13 April 2008 07:50   |
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Tim Halligan Messages: 942 Registered: April 2004 Location: Perth, Western Australia |
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Well...
In a shocking case of deja vu, I've just done a recording in a tin shed, with a concrete floor, using (shock, horror! ) an RE20 on kick, a 57 on snare, and a pair of 414's as overheads.
There was an additional 57 that was draped over an - as it turns out - unused guitar amp that I bent and twisted to become a room mic.
It sounds huge!
I'd forgotten how bendable RE20's are...
Cheers,
Tim
"Don't forget, we are all engaged in a battle to the death against mediocrity." - J. Whynot
"You can tune a room only with a bulldozer." - Andy Peters
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| Re: Drum Miking - RE20 + SM57 + ??? [message #333720 is a reply to message #333668 ] |
Tue, 15 April 2008 10:44   |
Larry Villella Messages: 36 Registered: September 2006 Location: PORTLAND OR |
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At the risk of repeating myself, there is a new LDC built
expressly for Drums and High SPL Sources - The ADK S-7.
With 135 dB Headroom, this is the silver bullet for drums!
(Even if it's black).
Thanks
Larry V / ADK
Larry J. Villella, Founder, ADK Microphones
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| Re: Drum Miking - RE20 + SM57 + ??? [message #333798 is a reply to message #332571 ] |
Tue, 15 April 2008 14:06   |
Galil Messages: 61 Registered: January 2007 Location: Central NY |
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There are many possible answers to this. If I had a recording like this, I'd seriously think about using a pair of small diaphragm condensers (SDCs) above the kit.
Many of the LDCs (large diaphragm condensers) do not have as much rejection (front to back) in the upper midrange as SDCs or even dynamic microphones. This means that the room could contribute more coloration in the region the ear is most sensitive. If the room sounds good, this is not a problem - if not, dealing with the "room color" in the mix might be hard. If this music is punk, new wave/alternative or intended to be raw - no problem.
Audio Technica Pro-37(s) (SDCs) are not expensive and have worked well in this application for me. You would try Oktava 012s as well. Dynamics which you might want to consider for this (assuming you can find them used) could include: AKG D-1000, Beyer M-69, M-88, M-201, and Electro Voice RE-15/16.
Let us know what you go with and how it works.
Galil
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| Re: Drum Miking - RE20 + SM57 + ??? [message #336107 is a reply to message #332571 ] |
Wed, 23 April 2008 22:36   |
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wwittman Messages: 5785 Registered: May 2004 Location: New York |
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RE20s are excellent, full range, sounding mics.
I would MUCH rather use two RE20s on a drum kit than two cheap, crappy, Chinese condensers JUST because they are condensers.
It's like when people ask what's a "good cheap tube mic"
what you NEED is a GOOD mic, not a "tube" mic.
William Wittman
Producer/Engineer
(Cyndi Lauper, Joan Osborne, The Fixx, The Outfield, Hooters...)
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