Home » R/E/P » Klaus Heyne's Mic Lab » "Maximum SPL" - How Is It Defined?
| "Maximum SPL" - How Is It Defined? [message #328243] |
Thu, 27 March 2008 13:05  |
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wildplum Messages: 33 Registered: May 2004 Location: Oakland |
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How do I interpret the following specifications (from the Mojave Audio MA-100):
MAXIMUM SPL: 120dB
DISTORTION: head amp only , not to exceed .4% @ 140 dB SPL
Am I correct to assume that the capsule distorts at 120dB while the mic amp can go to 140dB (at .4%)? That is, the capsule will distort before the amp. If this is the case, then the usable max SPL (assuming usable means a non distorted signal)is 120dB- although the amp can handle more, you will get distortion above 120dB because that is all the capsule can handle. Yet I see reviews of this mic stating it can handle 140dB. So I am a little confused.
Paul Tumolo
Wildplum Recordings
a micro label, studio and remote recording service
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| Re: max spl?? [message #328313 is a reply to message #328294 ] |
Thu, 27 March 2008 16:09   |
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Schallfeldnebel Messages: 589 Registered: October 2004 Location: Europe |
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Martin, are you sure about this?
Polorization voltage:
Front membrane 0v
Stator 120v
Rear membrane 240v
I cannot believe De Geer puts 120 V polarization on that capsule, the membrane's must collapse. Or he must have used larger spacing between backplate and membranes, which indeed will lower the mechanical distortion.
Erik Sikkema
(I found the source on internet, it is clearly stated)
Sound of the Month, Steinway, Het Concertgebouw Amsterdam:
http://webzoom.freewebs.com/eriksikkema/Steinway.mp3
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| Re: max spl?? [message #328473 is a reply to message #328462 ] |
Fri, 28 March 2008 04:36   |
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Schallfeldnebel Messages: 589 Registered: October 2004 Location: Europe |
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Tomas Danko wrote: "So he'd (De Geer) rather trade the noise floor for something else. Whatever that may be".
Lower distortion
If he enlarges the space between backplate and membrane, and compensates the lower output by using a higher polarization voltage, he is lowering the distortion.
Erik Sikkema
Sound of the Month, Steinway, Het Concertgebouw Amsterdam:
http://webzoom.freewebs.com/eriksikkema/Steinway.mp3
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| Re: max spl?? [message #328708 is a reply to message #328473 ] |
Fri, 28 March 2008 18:07   |
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Klaus Heyne Messages: 2026 Registered: April 2004 |
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I am not happy that this discussion meanders towards third party hearsay, which is discouraged in the forum's Ground Rules.
If Mr. DeGeer does not want to participate in our discussion personally, it's his choice and everybody's loss.
In the absence of direct testimony, nonsensical rumours like "retensioning" CK12 diaphragms ensue: These diaphragms are cut to size after they are glued to the ring, and their tension cannot be altered afterwards.
Klaus Heyne
German Masterworks
www.GermanMasterworks.com
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| Re: max spl?? [message #328774 is a reply to message #328708 ] |
Sat, 29 March 2008 03:24   |
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Martin Kantola Messages: 234 Registered: June 2005 |
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OK, for sake of clarity, here's the first hand information Thomas got:
"I had the pleasure to get a visit by Didrik de Geer today, he came by to say hi and we had a brief chat about this and that. I took the opportunity to ask him a few of the questions from this forum.
He does indeed favor the recent capsules as opposed to the vintage NOS, since he feels they are superior in terms of electrostatic properties, for instance, not to mention being more uniform in response between individual units. He is tweaking with the cavity and the shims to alter the tensioning. Furthermore, he keeps repeating that the capsule is not made of teflon but of nylon (the only teflon part would be around the cable). I don't know who said it's made of teflon, but I will pass this message on nevertheless.
The problem is that he is not willing to give all the details about what he does (of course), in all he is spending about 72 hours to "fix" the capsule since it is "wrongly set" from the factory. And as far as problems happen, I'm not even remotely up on par with the technical issues the way you guys are. If you want me to define what some of this is supposed to mean (ie cavity, shim) I can only relay the information to Didrik and write it down for you. I hope you are able to extract some information out of this, however small.
Didrik de Geer does not have an Internet-connection, let alone a computer or a television set. And he doesn't want to have anything to do with such things."
The last part explains why we can't expect Mr. de Geer to participate any day soon...
Anyway, this is interesting but drifting off topic. How should we best read specifications (or should we mostly ignore them and listen?) and could there be a better set of specs that would tell us more?
Martin
This message may have been edited by the moderator without my knowledge.
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| Re: max spl?? [message #328782 is a reply to message #328708 ] |
Sat, 29 March 2008 05:44   |
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Tomas Danko Messages: 3263 Registered: May 2004 Location: Stockholm, Sweden |
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So far all my posts in this thread regarding Didrik de Geer's microphones contain information from 2nd party (ie, myself) and not 3rd.i Bearing in mind previous discussions about these microphones I only bring forward what came out of Didrik's mouth straight to my ears.
I was under the impression this was confident enough information to be forwarded to the forum.
Apropos the "tensioning" I recall a previous post years ago where we rectified this, after I had spoken to Didrik to ask this particular question among other queries. Also, someone else posted a response he got from Didrik, due to other reasons. All in all, IIRC Didrik stated that he did not cut out and reglue the membrane, but that the so called "tensioning" was done in by other means.
I'm rather lousy with the PSW search engine, so apologies for not including links to these posts.

"T(Z)= (n1+n2*Z^-1+n2*Z^-2)/(1+d1*z^-1+d2*z^-2)" - Mr. Dan Lavry
"Shaw baa laa raaw, sidle' yaa doot in dee splaa" . Mr Shooby Taylor
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| Re: max spl?? [message #328868 is a reply to message #328243 ] |
Sat, 29 March 2008 12:26   |
Bbob Messages: 30 Registered: May 2006 Location: Ashland Massachusetts USA |
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| wildplum wrote on Thu, 27 March 2008 13:05 | How do I interpret the following specifications (from the Mojave Audio MA-100):
MAXIMUM SPL: 120dB
DISTORTION: head amp only , not to exceed .4% @ 140 dB SPL
Am I correct to assume that the capsule distorts at 120dB while the mic amp can go to 140dB (at .4%)? That is, the capsule will distort before the amp. If this is the case, then the usable max SPL (assuming usable means a non distorted signal)is 120dB- although the amp can handle more, you will get distortion above 120dB because that is all the capsule can handle. Yet I see reviews of this mic stating it can handle 140dB. So I am a little confused.
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That's how I interpret it. In other words, at 1 kHz, 120dB at the capsule will still leave another 20 dB of head amp headroom. It is necessary to have headroom for peak nonsinusoidal acoustic energy if the figure stated is RMS based. It does not mean that the capsule cannot handle something more than 120dB at some frequencies, and I do not think it means that there must be distortion above 120 dB, but I do think that means the designer is sure that it can go that high, probably with some margin for error.
It would be helpful if the manufacturer could chime in on these things and discuss how the measurements are made and/or calculated or extrapolated.
I know from experience that it is better to use a conservative number. BTW it is my opinion that a more meaningful number for actual users and not academics would come from SPL measurements across the usable spectrum, rather than at one frequency. Also, the techniques used to determine max SPL are not discussed here. Finally, a half a percent of harmonic distortion on top of what is probably already a distorted guitar amp or some super loud source may not be very significant.
Reviews could deal in superlatives, so, the bigger number may have been used.
Bob Crowley
http://microphonium.blogspot.com
BBob
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| Re: max spl?? [message #328884 is a reply to message #328868 ] |
Sat, 29 March 2008 13:37   |
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Klaus Heyne Messages: 2026 Registered: April 2004 |
Platinum Member |
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Mr. DeGeer is an intelligent, living, breathing being, and in his best years, for heaven's sake, not someone whose ideas need intuitive interpretation, because he is incapacitated.
Out of respect for the previous posters who in good faith posted DeGeer's opinions (from the perspective of the readers, that would be third party):
I will not delete the posts, but from now on, opinions will need to be expressed by the people themselves here, not interpreters, no matter how well-intentioned.
Klaus Heyne
German Masterworks
www.GermanMasterworks.com
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| Re: "Maximum SPL" - How Is It Defined? [message #328906 is a reply to message #328243 ] |
Sat, 29 March 2008 14:56   |
volki Messages: 233 Registered: June 2004 Location: Berlin, Germany |
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... to reply to the initial poster's question:
capsule (=head) and electronics (= head amp) can be looked at individually in terms of distortion. depending on the design, either capsule or electonics may be the limiting factor when looking at the distortion of the mic as a whole. in the "old days", the head amp used to be the limiting factor due to the lower headroom of most designs. today, with quite a bit of high-headroom designs around, the distortion of the capsule itself comes into play.
definition of a mic's max SPL: that SPL at which the mic's output signal reaches 0.5% THD (total harmonic distortion).
characteristics of capsule and amp distortion can be quite different. capsule distortion rises rather gently, doubling with every 6 dB of SPL - e.g. 0.5% @120, 1% @126, 2% @132... downwards, it's 0.25% @114, 0.125% @108... respectively.
the distortion characteristic of an amp can range from
a gentle rise towards - and even above - 0.5% THD (most tube designs) to being virtually non-existent below the overload point but followed by heavy clipping once that point is exceeded.
gentle increase of distortion is less audible than sudden clipping, which is especially true for transients. thus, especially tube mics may be operated beyond the max.SPL point in certain situations - the mojave, as a tube mic, most probably being in that camp, too.
Volker Meitz
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